Unsung Women

Author: Carol Jane Nappholz
Publisher: Peter Lang Pub Incorporated
ISBN: UOM:39015032284161
Size: 16.80 MB
Format: PDF, ePub, Docs
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Many poems of the women troubadours, or trobairitz as they are more commonly called, are known to have been lost or destroyed. But more may have survived than hitherto recognized. Scattered among the two hundred and forty-five anonymous poems of the troubadour corpus are twenty-six poems which may have been authored by women. Ignored for too long, these anonymous female-voiced poems are brought together for the first time with English translations, offering readers a unique opportunity to discover for themselves lost or forgotten works of women writers.

First Person Anonymous

Author: Alexis Easley
Publisher: Routledge
ISBN: 9781351936408
Size: 12.17 MB
Format: PDF
View: 59

First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century

Anonymous Women

Author:
Publisher:
ISBN: 1942084196
Size: 11.73 MB
Format: PDF, ePub
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"Anonymous Women" is a series of photographs with models using household objects and drapery to comment on women and domesticity.

Women In Narcotics Anonymous Overcoming Stigma And Shame

Author: J. Sanders
Publisher: Springer
ISBN: 9781137430496
Size: 15.25 MB
Format: PDF, ePub
View: 96

This book looks at a sample of female drug addicts seeking recovery in Narcotics Anonymous (NA). Through working the Twelve Steps and by attending women-only groups, these women are able to confront the double standard that makes recovery from addiction especially difficult.

The Afghan Mona Lisa

Author: Anosha Roya Zereh
Publisher: Xlibris Corporation
ISBN: 9781483646855
Size: 12.76 MB
Format: PDF, ePub, Docs
View: 39

The Afghan woman has been spoken for, depicted in numerous ways since the fall of the Taliban in 2011. Afghan women have been represented in the Western media, both in the television and the news broadcast copiously. They have made the Times magazine cover page, revealed in the National Geographic, and have been pronounced as victims of woman’s rights. Their crime simply being born in Afghanistan as a woman in an era unfavorable to their gender. I have investigated and listened to long hours of heartbreaking stories by Afghan women in numerous countries, conversed with old and young women, and read plentiful anecdotes of Afghan women’s narratives around the world for over ten years. Although I cannot claim what they have experienced completely, I have exerted years of love inscribing for them their narratives, their depiction of what took place in their lives, as well as their interpretation of their struggles and daily burdens. Although they are my words, nevertheless they represent their rightful voice. While it is my pen that was used to write these poems, in every poem, in every verse, it is the fighting potency of these women. And we witness through their lens the long-suffering echoed throughout the book in their own words. I am blessed to have been favored as an unassuming envoy for their voices.